The single greatest performance of Bach's Goldberg Variations: Pierre Hantaï with rhythmic drive and life
I’ve been listening to JS Bach’s Goldberg Variations for a quarter of a century now. I haven’t actually said much about this piece on this blog, although I did mention attending a concert featuring a string trio arrangement of it a year ago.
I have a favorite recording, out of probably a dozen recordings I have heard since a college friend introduced me to the piece performed by Glenn Gould on piano . Several years ago I discovered my true favorite, upon encountering Pierre Hantaï on harpsichord in a CD recording.
Why Hantaï stands out for me
Given that there are plenty of other performances that I consider worthy, why is Hantaï’s by far my favorite?
- sustained intensity (many performances have me getting bored and sleepy)
- rhythmic drive is always there; the music never droops
- subtlety and shape to all phrasing and contrast
- no distractions of self-absorption (many performances have certain kinds of oddities that are magnified when spread out over an hour or more)
- nice harpsichord sound
Note: I once didn’t like harpsichord, and always preferred a piano when possible, but now I actually prefer Bach’s music on harpsichord, because of the nature of articulation and decay and how dissonances are more delicious on this instrument.
Here’s a treat I just found by accident: a video of Hantaï performing the Goldberg Variations. Watch it if you care about the Goldberg Variations at all!
Conclusion
If you are already a fan of the Goldberg Variations, what is your favorite performance, and why? Also, does it matter to you whether piano or harpsichord is used?
Which recording of Hanta are you referring to? I just bought his first recording and I find it disappointing. This is odd as it has received rave reviews from many who are much more knowledgeable than me. My favorite harpsichord versions are probably Landowska'.
Shimon's question is indeed an essential one: which of the two recordings by Hantaï are you referring to, Franklin?? I am grateful for your feedback, Shimon. There is also Richard Egarr's version on harpsichord... I would be interested in your opinion of that.